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Author: AA. VV.
Publisher: Fundació Joan Miró
Year of publication: 2016
Product features:
98 pp.
11 colour illustrations
Paperback
21 x 14,5 cm
Languages:
Catalan: ISBN 978-84-16411-12-2
Spanish: ISBN 978-84-16411-13-9
English: ISBN 978-84-16411-14-6
Description:
In this publication, the author Antonio Ortega traces the genealogy of DIY art practices from the 1960s until the present. To do so, he calls upon a personal selection of artists who gave a new turn to their work process allowing them to gain authority over the narrative.
To complement his analysis, Antonio Ortega chose to be interpellated by art historian Pilar Bonet. He also turned to social researcher Rubén Martínez Moreno and artist Quim Packard – who reflect on the contextual framework of self-organisation – as well as painter Pere Llobera, who contributed his illustrations.
Curated by Pilar Cruz for Espai 13, A Monster Who Tells the Truth exhibition series questions the boundaries between disciplines in order to explore the dynamics of power that affect knowledge.
Catalogue of the exhibition Nalini Malani. You don't hear me, 2019 Joan Miró Prize. SOLD OUT
Miró-ADLAN: An Archive of Modernity (1932-1936) reconstructs the key role of the group of artists and intellectual known as ADLAN (Amics de l'Art Nou [Friends of New Art]) in introducing modernity to the Barcelona of the 1930s, during the years of the Spanish Republic.
Éluard, Cramer, Miró - «À toute épreuve», more than a book reconstructs the creative process behind Miró's book based on a collection of poems by Paul Éluard with the same title. The exhibition is part of the Miró. Documents series, whose aim is to use the Fundació's archive to further explore certain aspects of Miró's work.
Catalogue on occasion of the exhibition Català Roca. Una nova mirada, curated by Luis Revenga at the Fundación Joan Miró Barcelona, 2000.