Author: Arnau Horta (ed.)
Publisher: Fundació Joan Miró
Year of publication: 2019
Product features:
176 pages
Paperback
14,8 x 21 cm
Languages:
ISBN Catalan-English: 978-84-16411-51-1
ISBN Spanish-English: 978-84-16411-52-8
The Sound Art? exhibition offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the late nineteenth century until today.
A pochoir print by Miró published in Issue No. 4-5 of “Cahiers d’art” magazine in 1937. Miró used the pochoir printing technique whereby shapes are cut out from a cardboard or zinc template (Miró used zinc), coloured and transferred to paper through contact.
Endgame: Duchamp, chess and the avant-gardes is an account of twentieth-century avant-garde movements up to the beginning of conceptual art, told from the angle of what appears to be a minor anecdote: the game of chess. Taking Marcel Duchamp's life as our time frame, the exhibition explores the hypothesis that chess was a backdrop to the historical...
T-shirt printed with Joan Miró Foundation logotipe.
Long sleeve t-shirt printed with Joan Miró's Foundation logotype.
Comfortable and practical zippered toilet bag, with an exclusive design based on the logo that Joan Miró created for his Foundation.
Miró-ADLAN: An Archive of Modernity (1932-1936) reconstructs the key role of the group of artists and intellectual known as ADLAN (Amics de l'Art Nou [Friends of New Art]) in introducing modernity to the Barcelona of the 1930s, during the years of the Spanish Republic.
Catalog from the exhibition "The Way Things Do". In 1987, the Swiss artists Peter Fischli and David Weiss presented their film Der Lauf der Dinge, known internationally as The Way Things Go. The 1980s were also the decade when Daniel Jacoby & Yu Araki, Serafín Álvarez and Cécile B. Evans were born. To celebrate the thirtieth anniversary of the Swiss...
1:300 scale 3D cut-out of the Fundació Joan Miró building in Barcelona The Fundació Joan Miró building was designed by architect Josep Lluís Sert in 1975 as an expression of Rationalism in a Mediterranean context.
The Fundació Joan Miró: A Living Centre, Open to the World covers the forty years of the foundation's history, a long and full trajectory of art, friendship and commitment to Barcelona which, over the years, has succeeded in remaining true to the spirit of its founder, Joan Miró.
The foundation's collection of works by Joan Miró includes paintings, drawings, sculptures, ceramics, textiles and an extensive print archive. In addition, it also features an exceptional collection of the artist's preliminary sketches, notes, scale models, sketchbooks and correspondence. This extensive, diverse collection, representative of all the...
This exhibition is organised by the Tate Modern, London, and the Fundació Joan Miró, Barcelona, and brings together over 150 works by the artist showing that his tendency towards contemplative isolation was accompanied by a coherent response to events.
A commemorative poster for FC Barcelona’s 75th anniversary (1974). The composition combines Miró’s characteristic signs and lines with the Catalan team’s crest and the word Barça in the artist’s own handwriting.
T-shirt printed with the logo of the Joan Miró Foundation
Wall calendar with masterpieces from the Fundació Joan Miró collection.
Wall calendar with masterpieces from the Fundació Joan Miró collection.
Catalog of the exhibition Sumer and the Modern Paradigm (28/10/2017- 21/01/2018), explores the interest that Mesopotamian “arts” from the turn of the fourth and third millennium BC aroused in some of the key artists of the twentieth century.
Beehave elicited a diptych publication that was released in two stages: the first part, Bee Writings, is a compilation of essays that provides the theoretical framework for the exhibition; the second, Where Are the Bees?, gathers all the interventions that artists from around the world presented within the Fundació and throughout the city.
Bee Writings is presented as a compilation of essays commissioned with the aim of charting a theoretical framework for the exhibition Beehave (16/02/2018 - 20/05/2018), but it is only the first part of a broader publishing project. Likewise, the exhibition is only the first chapter of Beehave, which unfolds all around the city of Barcelona throughout a...
Beehave explores the right of honey bees to inhabit urban spaces, the coexistence of the city's desired and necessary biodiversity with the artificial elements of the urban landscape.
"Infinite Sequence" is an exhibition dedicated to the work of Ignasi Aballí, winner of the 2015 Joan Miró Prize. It proposes a stroll through a selection of pieces by Catalonia's foremost conceptual artist to allow visitors to gradually discover some of the key aspects of his oeuvre. The presentation of the selected works eludes a strict retrospective...
Lesson 0 is a long-term, wide-ranging project that reflects on the state of art education in the present day. Curated by Azotea (Ane Agirre and Juan canela) and developed from the yearly exhibition program at Espai 13, lesson 0 foregrounds proposals associated with a pedagogy that deviates from the expected in order to explore other forms of conveying...
Prophetia, a project curated by Imma Prieto, includes an exhibition and this publication. They are both structured around three concepts: rape, correspondence and responsibility. To quote the curator, ‘The project does not stem so much from a question as from an observation: the separation or gap between an almost romantic notion of Europe, linked to a...
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Catalogue of the exhibition The point of...
38,50 €